Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Singular and grainy green color.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
This red has a great purity of tone. It draws very slightly on the yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Bright yellow with great purity of tone.
Very beautiful dark red tending to burgundy.
You can add light Isaro yellow to a range of Indian yellow.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent bright green with an underlying shade of yellow.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
