1/2 EMPTY BUCKET TO FILL WITH YOUR TUBE WATERCOLORS
SIZE: 1.6 X 1.4 X 0.9 CM
Sold in lots of: 10, 25, 50
1/2 EMPTY BUCKET TO FILL WITH YOUR TUBE WATERCOLORS
SIZE: 1.6 X 1.4 X 0.9 CM
Sold in lots of: 10, 25, 50
Plastic bucket to fill with your watercolors in tubes.
Size: 3x 1.8x 1cm
Sold by 10, 25, 50
Very beautiful brick red, with an underlying shade of orange-yellow.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
Very beautiful yellow, earthy and bright. Very useful on the palette.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Close shade of natural indigo.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
Earthy orange but nevertheless bright.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Dark and warm brown. Interesting color for dark your shades.
Beautiful subtle very light gray for light shadows and drapes.
Very interesting Color to create "pastel" touch by mixing with other colors.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Beautiful earthy yellow.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Very beautiful earthy green and mono pigment.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
A very soft, slightly pastel yellow.
Vert Sapin
PG36 + PY165
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Warm and bright yellow, very beautiful in wash for example.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.