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Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Very beautiful dark red tending to burgundy.
Golden color, to be used for certain highlights.
This red has a great purity of tone. It draws very slightly on the yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Bright yellow with great purity of tone.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Magnificent bright green with an underlying shade of yellow.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Very beautiful earthy green and mono pigment.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
A very soft, slightly pastel yellow.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Close shade of natural indigo.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
