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Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Beautiful subtle very light gray for light shadows and drapes.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Warm and bright yellow, very beautiful in wash for example.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Golden color, to be used for certain highlights.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
Very beautiful brick red, with an underlying shade of orange-yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful earthy green and mono pigment.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Bright yellow with great purity of tone.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
This red has a great purity of tone. It draws very slightly on the yellow.
Very beautiful dark red tending to burgundy.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Dark and warm brown. Interesting color for dark your shades.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Rose navré et légèrement orange
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
