A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.

This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".

So this blue is very usefull to paint lanscape.

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

This pure and luminous bright red has a high tint power.
Cadmium red is obtained  by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with  organic reds.

The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone

The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds

This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

This is  a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium,  bright, very luminous and  an ultra-pure colour.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

Pinkish yellow, very close to Naples yellow.  Perfect for skin tones.

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

A deep violet with a touch of red

This violet is the mixture of three pigments to created a unique shade of violet

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

It's a good glazing colour.

A beautifull and luminous red. More pinkish than the red cadmium light

A deep and intense blue with a touch of red.

It's a good glazing colour with a beautifull orangey yellow hue.

This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.

It's a strong neutral black.

A dark red brown, very beautifull for glazings.

It's a very pure cool soft white. It's highly regarded by artists.

It's a beautifull green useful in producing glazes when diluted.

A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.

This vivid and strong bluish greens a good staple green to produce a large range of greens.

Pinkish yellow, very close to Naples yellow. 

Perfect for skin tones.

It's a cool transparency withe. It's excellent for mixtures and glazes

It's a deep brownish green.

A beautifull an luminous blue.

This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet.  So Isaro pink is perfect to paint flowers. It's also a good glazing colour. 

A rich and earthy burnt orange.

A reddish brown more Opaque and intense than the burnt umber