It's a basic earthy yellow, ideal for glazes but covers well.

A beautifull warm brown with a yellowish undertone

A rich and earthy burnt orange.

A reddish brown more Opaque and intense than the burnt umber

A intense cold brown with a violet shade.

A rich and earthy burnt orange

A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.

A deep cool blue black.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This blue is a mixture of 3 pigments. Very useful for painting marine

This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.

This natural iron oxide is a fine rather cold brown with a greenish undertone.

This splendid greenish blue is used to create very beautiful  range of greens.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

A splendid blue with a rich purple blue undertone.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet.  So Isaro pink is perfect to paint flowers. It's also a good glazing colour. 

It's a beautifull green useful in producing glazes when diluted.

A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.

This vivid and strong bluish greens a good staple green to produce a large range of greens.

Pinkish yellow, very close to Naples yellow. 

Perfect for skin tones.

It's a cool transparency withe. It's excellent for mixtures and glazes

It's a deep brownish green.

A beautifull an luminous blue.

It's a very pure cool soft white. It's highly regarded by artists.

A dark red brown, very beautifull for glazings.

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

A deep violet with a touch of red

This violet is the mixture of three pigments to created a unique shade of violet

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

It's a good glazing colour.

A beautifull and luminous red. More pinkish than the red cadmium light

A deep and intense blue with a touch of red.

It's a good glazing colour with a beautifull orangey yellow hue.

This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.