Burnt Umber

PBr7 – Semi-opaque

Burnt umber is a natural pigment with deep brown tones enriched by a warm, slightly reddish hue. Highly covering, lightfast, and non-toxic, it is ideal for shadows, dark backgrounds, landscapes, and warm skin tones.
It has good drying power, making it an excellent choice for underpainting or quick sketching. It blends harmoniously with blues, greens, and reds to create natural and balanced mixtures.

Very beautiful light blue, whiCerulean Blue - The Blue of Skies

PB35 - Semi-transparent - Granulating

Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.

Satine Blue - An Original Blend

PB29 + PBr7 + PV16 - Semi-transparent - Granulating

Satine Blue is a refined color that captivates with its softness and subtle glow. Made from carefully selected pigments, this blue harmonizes beautifully with both warm and cool tones. For subtle shades, mix it with Isaro Rose or Magenta to create delicate purples or lavender hues. You can also try combining it with Payne's Grey for nocturnal skies or aquatic shadows.

Transparent Mars Red

PR101 – Transparent

Transparent Mars Red is a synthetic iron oxide with a warm, intense, and deep red-brown hue.
Its transparency makes it ideal for glazing, colored shadows, rich skin tones, or vibrant backgrounds.
Highly lightfast, non-toxic, and with strong tinting strength, it allows for nuanced layering and subtle blends with blues, greens, or ochres.
A versatile color, it is prized by artists seeking warmth and transparency without overwhelming opacity.

Mars Brown

PR101 – Opaque

Mars brown is a synthetic iron oxide pigment offering a deep, dense, and highly saturated reddish-brown hue. It stands out for its excellent covering power, lightfastness, and non-toxicity.
More intense and purer than natural earth pigments, it allows for warm shadows and rich mixtures with blues, greens, or ochres. A strong, modern, and reliable brown.

Van Dyck Brown

PR101 + PBk11 – Opaque

Van Dyck Brown is a deep, dark brown made from a blend of iron oxide red (PR101) and iron oxide black (PBk11). It captures the richness of the historical browns used by the Flemish masters. Ideal for shadows, dark backgrounds, fabrics, or dramatic compositions, it offers excellent stability and strong intensity.

It blends harmoniously with ochres, blues, and reds to create subtle, nuanced effects. A must-have on any traditional palette.nse cold brown with a violet shade.

Isaro grey light - A Subtle Softness

PR101 + PG17 - Semi-transparent - Non-granulating

Isaro grey light is a soft and luminous shade, ideal for subtle backgrounds, light shadows, and delicate gradients. With its smooth texture and transparency, it helps create calming atmospheres while adding depth to compositions without weighing them down. Perfect for watercolorists seeking discreet and refined nuances and drapes.

Sepia

PR101 + PBk11 + PBr7 – Opaque

Sepia is a warm, deep, and elegant brown, inspired by natural cuttlefish ink. This oil version, made from a blend of iron oxide red (PR101), iron oxide black (PBk11), and natural earth (PBr7), offers a rich hue with warm undertones.

Ideal for sketching, backgrounds, moody landscapes, or chiaroscuro portraits, sepia stands out for its smooth handling, excellent lightfastness, and its ability to create soft, muted, and timeless atmospheres

Payne’s Grey

PBk11 + PB29 – Opaque

Payne’s Grey is a subtle blend of iron oxide black and ultramarine blue, offering a rich and nuanced alternative to pure black. With its deep, slightly cool blue-grey tone, it is ideal for colored shadows, stormy skies, nocturnal atmospheres, or muted portrait tones.

More vibrant than a standard black, it retains a touch of transparency and blends harmoniously with other colors. An essential for a well-balanced and expressive palette.

Transparent Mars Red - A Rust Effect

PR101 - Transparent - Non-granulating

Transparent Mars Red is a rich, earthy red, ideal for uniform, warm, and deep washes, while ensuring excellent permanence and great light stability.

 Mars Brown light - A Versatile Brown

PR101 - Opaque - Non-granulating

Mars Brown Light is a rich, earthy hue, highly valued in painting for its versatility and ability to create natural, deep tones. Derived from iron oxide, this pigment offers a warm color and is extremely stable. For watercolor artists seeking uniform washes, Mars Brown may be preferred over natural earth pigments. 

Cadmium red deep - An Intense Bordeaux

PR108 - Opaque - Non-granulating

Cadmium red deep in watercolor is a powerful and versatile color, perfect for works requiring intense and durable reds. It shines both in mixes and when used on its own.l dark red tending to burgundy.

Pyrrole red deep - A Deep Red

PR264 - Transparent - Non-granulating

Dark Pyrrole Red in watercolor is an intense and vibrant hue, offering excellent transparency and high lightfastness, perfect for creating vibrant mixes and warm tones.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

Isaro Pyrrole Red - A Poppy Red

PR254 - Transparent - Non-granulating

Isaro Pyrrole Red is a vivid and intense red, offering brilliant luminosity and excellent permanence, perfect for vibrant touches and rich mixes in watercolor.l red, lively and bright with an underlying note colder than Scarlett red.

Scarlet Red – An Essential Red

PR255 - Transparent - Non-granulating

Scarlet Red is a vibrant and intense hue, characterized by its richness in reddish and slightly orange tones, perfect for adding warmth and brightness to your watercolor compositions.

Cadmium Red - An Opaque Red

PR108 - Opaque - Non-granulating

Cadmium Red Light offers a vibrant and luminous hue, perfect for adding warm and vibrant touches to your artwork, while ensuring exceptional permanence and lightfastness.has a great purity of tone. It draws very slightly on the yellow.

Indian Yellow - A Historic Hue

PY154 + PO73 - Transparent - Non-granulating

Indian Yellow, with its warm and luminous tone, is a transparent and versatile color, perfect for adding brilliance and depth to your watercolor paintings.arm and bright yellow, very beautiful in wash for example.

Isaro yellow deep– A Warm Hue

PY154 + PO73 - Opaque - Non-granulating

Isaro Dark Yellow is a bright, orange-tinged yellow. This warm yellow is perfect for capturing the richness of sunsets and autumn foliage.an add light Isaro yellow to a range of Indian yellow.

Cadmium Yellow Deep: The Golden Glow

PY35 - Opaque - Non-granulating

Cadmium yellow deep is a vibrant and intense color, offering deep golden hues.

Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. 

Saffron Yellow – The Golden Glow

PY110 - Transparent - Non-granulating

Saffron Yellow is a bright and warm hue, offering an intense and brilliant golden color, perfect for adding a touch of light and warmth to your artwork. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Cadmium Yellow Light: A Vibrant Hue

PY35 – Opaque – Non-Granulating

Cadmium yellow light, bright and intense, is a brilliant pigment with exceptional permanence, perfect for bringing light to your watercolors with vibrant mixes. purity of tone.

Cadmium Yellow Lemon: Pure Brightness

PY35 – Opaque – Non-Granulating

Cadmium yellow lemon is a vibrant and intense pigment, ideal for creating luminous mixes.
It offers excellent opacity and outstanding lightfastness.

Its slightly cool tone makes it the perfect choice for capturing sunlight and light foliage.llow with underlying shade of green, very bright and bright yellow.

Isaro yellow light - Primary Yellow

PY154 - Transparent - Non-granulating

Isaro yellow light is a delicately luminous hue, perfect for capturing the softness of spring light, vibrant flowers, and sunlit skies, all while offering unparalleled transparency and subtlety.

A must-have on your palette. Darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

Chartreuse Yellow – Natural Greens

PY129 – Transparent – Non-granulating

Chartreuse Yellow is a fascinating color that brings a touch of freshness to any composition. This bright yellow-green, often associated with vegetal and natural hues, is a must-have for capturing the richness of foliage, grasses, or lush green landscapes.ential greenish yellow. It allows a wide range of rich and surprising mixes.

Nickel Yellow – A Luminous Hue

PY53 – Semi-transparent – Non-granulating

Nickel Yellow is a bright and clear yellow. With a soft, slightly greenish tint, this color stands out for its ability to brighten your work.soft, slightly pastel yellow.

Yellow Ochre - A Trusted Pigment

PY42 - Opaque - Non-Granulating

Yellow ochre, a luminous pigment, brings warmth and softness to compositions while offering excellent lightfastness and exceptional versatility for subtle blends.utiful yellow, earthy and bright. Very useful on the palette.

Beige Titanium – A Modern Hue

PW6:1 - Opaque - No granulating

Discover the subtle sophistication of Beige Titanium. With its delicately warm grey-beige tone, this color is perfect for creating soothing atmospheres, neutral shades, or refined textural effects

Very interesting Color to create "pastel" touch by mixing with other colors.

Raw Umber - An Authentic Color

PBr7 - Semi-transparent - Granulating

Raw Umber is ideal for creating soft shadows and earthy tones while adding depth and harmony.with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.

Van Dijck Brown  - A Rich Color

PR101 + PBk6 - Opaque - Non-granulating

Van Dijck brown is a rich and deep pigment, perfect for creating subtle shadows and warm atmospheres, while offering great lightfastness and excellent coverage.

Sepia – The Softness of a Warm Brown

PBK11 + PBK6 + PR101 + PY42 - Opaque - Non-granulating

Sepia, with its warm and deep tones, is ideal for creating shadows or earthy hues, realistic portraits, monochromes, and natural landscapes.tiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.

English Red - A Shade of Character - PR101 - Opaque 

English Red is a rich hue perfect for creating deep shadows, realistic portraits, or autumn landscapes. It offers excellent permanence and great versatility in mixing.

Dark and warm bBurnt Umber Watercolor - An Essential Hue for Your Artistic Palette

Burnt umber offers deep, warm tones, perfect for creating subtle shadows, natural textures, and rich, warm atmospheres.rown. Interesting color for dark your shades.

Venetian Red is a powerful shade, offering the rich tones of a deep, earthy red.

Inspired by natural pigments used for centuries, this iron oxide is opaque and delivers a deep intensity at full saturation. When diluted, it can be worked transparently, creating beautiful gradients. watercolorists.

Burnt Sienna in watercolor is a warm, earthy pigment that adds depth, richness, and versatility to any composition, perfect for shadows, landscapes, and natural tones.