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A very discreet and interesting pink especially to bring softness to certain floral compositions.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful earthy green and mono pigment.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Close shade of natural indigo.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Gorgeous unique shade of gray blue.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Gorgeous unique shade of gray blue.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Very beautiful earthy green and mono pigment.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Bright yellow with great purity of tone.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
A very soft, slightly pastel yellow.
Very beautiful yellow, earthy and bright. Very useful on the palette.