Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.

Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.

This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.

Very beautiful yellow, earthy and bright. Very useful on the palette.

A very essential greenish yellow. It allows a wide range of rich and surprising mixes.

Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

Magnificent pale yellow with underlying shade of green, very bright and bright yellow.

Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.

Earthy orange but nevertheless bright.

Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.

One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.

Very beautiful red, lively and bright with an underlying note colder than Scarlett red.

This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.

I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.

Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.

This color is grainy and iridescent.

This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.

Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.

Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.

This color is grainy and iridescent.

I was inspired by the surprising reflections of a semi-precious stone: apatite.

This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.

Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.

Gorgeous unique shade of gray blue.

The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.

Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.

It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.

Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.

Very nice cold, deep gray, turning blue. Useful as a contrast color.

Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.

With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.