Yellow Ochre - A Trusted Pigment

PY42 - Opaque - Non-Granulating

Yellow ochre, a luminous pigment, brings warmth and softness to compositions while offering excellent lightfastness and exceptional versatility for subtle blends.utiful yellow, earthy and bright. Very useful on the palette.

Indigo Blue - A Historic Blue

PB29 + PBr7 + PB15 - Opaque - Moderately Granulating

With its granulating texture and natural depth, Indigo Blue is perfect for representing dramatic atmospheres, starry skies, or reflections on water. Its ability to layer in fine washes or be used opaquely makes it a favored choice for artists seeking variety in their compositions.

Prussian Blue - The First Modern Synthetic Pigment

PB27 - Transparent - Non-Granulating

Prussian Blue is an essential hue for watercolor artists. Rich in history, intensity, and versatility, it offers endless creative possibilities, whether for landscapes, portraits, or abstract works.

Ultramarine Blue - Between History and Modernity

PB29 - Semi-transparent - Granulating

Ultramarine Blue is a deep, rich hue, valued for its intense vibrancy and its ability to capture light, making it ideal for skies, oceans, and delicate shadows.Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example. With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.

Nickel Yellow – A Luminous Hue

PY53 – Semi-transparent – Non-granulating

Nickel Yellow is a bright and clear yellow. With a soft, slightly greenish tint, this color stands out for its ability to brighten your work.soft, slightly pastel yellow.

Very bPhthalo Blue - A Luminous Blue

PB15:3 - Transparent - Non-Granulating

Phthalo Blue is particularly prized for seascapes and clear skies, where its transparency and depth truly shine. It can also be used in layering to enrich darkeautiful blue with a shade having an underlying green tone.

With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.

Indanthrene Blue - Intense Depth

PB60 - Transparent - Non-Granulating

This blue is perfect for artworks requiring dark and powerful tones, such as seascapes, stormy skies, or expressive portraits. It also excels in layering to create depth and subtle effects.

Dark Isaro Mauve - A Remarkable Dioxazine Violet

PV23 - Transparent - Non-granulating

Dark Isaro Mauve is an intense, powerful, and vibrant pigment, offering a rich and deep hue, perfect for creating subtle shadows and a wide range of mauve tones.

Satine Blue - An Original Blend

PB29 + PBr7 + PV16 - Semi-transparent - Granulating

Satine Blue is a refined color that captivates with its softness and subtle glow. Made from carefully selected pigments, this blue harmonizes beautifully with both warm and cool tones. For subtle shades, mix it with Isaro Rose or Magenta to create delicate purples or lavender hues. You can also try combining it with Payne's Grey for nocturnal skies or aquatic shadows.

Saffron Yellow – The Golden Glow

PY110 - Transparent - Non-granulating

Saffron Yellow is a bright and warm hue, offering an intense and brilliant golden color, perfect for adding a touch of light and warmth to your artwork. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Chartreuse Yellow – Natural Greens

PY129 – Transparent – Non-granulating

Chartreuse Yellow is a fascinating color that brings a touch of freshness to any composition. This bright yellow-green, often associated with vegetal and natural hues, is a must-have for capturing the richness of foliage, grasses, or lush green landscapes.ential greenish yellow. It allows a wide range of rich and surprising mixes.

Indian Yellow - A Historic Hue

PY154 + PO73 - Transparent - Non-granulating

Indian Yellow, with its warm and luminous tone, is a transparent and versatile color, perfect for adding brilliance and depth to your watercolor paintings.arm and bright yellow, very beautiful in wash for example.

Magenta - A Primary Hue

PV19 - Transparent - Non-granulating

Magenta in watercolor, vibrant and transparent, is an essential color for creating luminous mixes, bright pinks, and deep purples, while offering excellent permanence.lor. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

Isaro yellow deep– A Warm Hue

PY154 + PO73 - Opaque - Non-granulating

Isaro Dark Yellow is a bright, orange-tinged yellow. This warm yellow is perfect for capturing the richness of sunsets and autumn foliage.an add light Isaro yellow to a range of Indian yellow.

Isaro yellow light - Primary Yellow

PY154 - Transparent - Non-granulating

Isaro yellow light is a delicately luminous hue, perfect for capturing the softness of spring light, vibrant flowers, and sunlit skies, all while offering unparalleled transparency and subtlety.

A must-have on your palette. Darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

Very beautiful light mauve Isaro Mauve - An Intense Purple

PV19 - Transparent - Non-granulating

Isaro Mauve is a versatile pigment that can be used alone or in mixes to add interesting and lasting hues, while offering a rich and luminous palette.mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.

Iron Oxide purple - A Lesser-Known Mineral Hue

PR101 - Opaque - Non-Granulating

Iron Oxide purple is an earthy violet shade with dark undertones.
This versatile pigment is well-suited to both abstract compositions and naturalistic scenes.

Cadmium Yellow Light: A Vibrant Hue

PY35 – Opaque – Non-Granulating

Cadmium yellow light, bright and intense, is a brilliant pigment with exceptional permanence, perfect for bringing light to your watercolors with vibrant mixes. purity of tone.

Ultramarine Violet - A Delicate Violet

PV15 - Semi-transparent - Granular

Ultramarine violet, with its soft hue, is perfect for creating delicate and textured nuances. It offers excellent lightfastness.iful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.

Very beautiful light blue, whiCerulean Blue - The Blue of Skies

PB35 - Semi-transparent - Granulating

Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.

Cadmium Yellow Lemon: Pure Brightness

PY35 – Opaque – Non-Granulating

Cadmium yellow lemon is a vibrant and intense pigment, ideal for creating luminous mixes.
It offers excellent opacity and outstanding lightfastness.

Its slightly cool tone makes it the perfect choice for capturing sunlight and light foliage.llow with underlying shade of green, very bright and bright yellow.

Azure Blue – The Freshness of the Skies

PB36 – Semi-transparent – Granulating

Azure blue is a luminous and soothing shade that evokes the vast summer skies and crystal-clear waters. This pigment, part of the cobalt blue family, is cherished for its subtly green undertone and gentle quality, making it an ideal choice for depicting aerial or marine landscapes.

Cadmium Yellow Deep: The Golden Glow

PY35 - Opaque - Non-granulating

Cadmium yellow deep is a vibrant and intense color, offering deep golden hues.

Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. 

Cobalt Blue - An Iconic Blue

PB28 - Semi-transparent - Granulating

Ideal for landscapes, Cobalt Blue excels in skies, calm waters, and distant mountains. Its granulating nature is perfect for textured effects and organic details.e. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).