Very beautiful yellow, earthy and bright. Very useful on the palette.
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Very beautiful brick red, with an underlying shade of orange-yellow.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Close shade of natural indigo.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
A very soft, slightly pastel yellow.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Warm and bright yellow, very beautiful in wash for example.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
This red has a great purity of tone. It draws very slightly on the yellow.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Bright yellow with great purity of tone.
You can add light Isaro yellow to a range of Indian yellow.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Gorgeous unique shade of gray blue.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Very beautiful dark red tending to burgundy.