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Van Dijck Brown - A Rich Color
PR101 + PBk6 - Opaque - Non-granulating
Van Dijck brown is a rich and deep pigment, perfect for creating subtle shadows and warm atmospheres, while offering great lightfastness and excellent coverage.
Ultramarine Blue - Between History and Modernity
PB29 - Semi-transparent - Granulating
Ultramarine Blue is a deep, rich hue, valued for its intense vibrancy and its ability to capture light, making it ideal for skies, oceans, and delicate shadows.Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example. With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Shaded Beige – For Softly Shadowing Light Skin Tones
PW6 + PY42 + PR264 + PBk31 – Opaque – Non-granulating
Shaded Beige is a soft and nuanced color, striking a perfect balance between warmth and neutrality. Composed of earthy pigments, it offers great versatility in watercolor, especially for painting skin tones and delicate shadows.
Sepia – The Softness of a Warm Brown
PBK11 + PBK6 + PR101 + PY42 - Opaque - Non-granulating
Sepia, with its warm and deep tones, is ideal for creating shadows or earthy hues, realistic portraits, monochromes, and natural landscapes.tiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Satine Blue - An Original Blend
PB29 + PBr7 + PV16 - Semi-transparent - Granulating
Satine Blue is a refined color that captivates with its softness and subtle glow. Made from carefully selected pigments, this blue harmonizes beautifully with both warm and cool tones. For subtle shades, mix it with Isaro Rose or Magenta to create delicate purples or lavender hues. You can also try combining it with Payne's Grey for nocturnal skies or aquatic shadows.
Raw Umber - An Authentic Color
PBr7 - Semi-transparent - Granulating
Raw Umber is ideal for creating soft shadows and earthy tones while adding depth and harmony.with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Prussian Blue - The First Modern Synthetic Pigment
PB27 - Transparent - Non-Granulating
Prussian Blue is an essential hue for watercolor artists. Rich in history, intensity, and versatility, it offers endless creative possibilities, whether for landscapes, portraits, or abstract works.
Very bPhthalo Blue - A Luminous Blue
PB15:3 - Transparent - Non-Granulating
Phthalo Blue is particularly prized for seascapes and clear skies, where its transparency and depth truly shine. It can also be used in layering to enrich darkeautiful blue with a shade having an underlying green tone.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
 Mars Brown light - A Versatile Brown
PR101 - Opaque - Non-granulating
Mars Brown Light is a rich, earthy hue, highly valued in painting for its versatility and ability to create natural, deep tones. Derived from iron oxide, this pigment offers a warm color and is extremely stable. For watercolor artists seeking uniform washes, Mars Brown may be preferred over natural earth pigments.Â
Indigo Blue - A Historic Blue
PB29 + PBr7 + PB15 - Opaque - Moderately Granulating
With its granulating texture and natural depth, Indigo Blue is perfect for representing dramatic atmospheres, starry skies, or reflections on water. Its ability to layer in fine washes or be used opaquely makes it a favored choice for artists seeking variety in their compositions.
Indanthrene Blue - Intense Depth
PB60 - Transparent - Non-Granulating
This blue is perfect for artworks requiring dark and powerful tones, such as seascapes, stormy skies, or expressive portraits. It also excels in layering to create depth and subtle effects.
Cobalt Blue - An Iconic Blue
PB28 - Semi-transparent - Granulating
Ideal for landscapes, Cobalt Blue excels in skies, calm waters, and distant mountains. Its granulating nature is perfect for textured effects and organic details.e. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful light blue, whiCerulean Blue - The Blue of Skies
PB35 - Semi-transparent - Granulating
Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.
Dark and warm bBurnt Umber Watercolor - An Essential Hue for Your Artistic Palette
Burnt umber offers deep, warm tones, perfect for creating subtle shadows, natural textures, and rich, warm atmospheres.rown. Interesting color for dark your shades.
Burnt Sienna in watercolor is a warm, earthy pigment that adds depth, richness, and versatility to any composition, perfect for shadows, landscapes, and natural tones.
Azure Blue – The Freshness of the Skies
PB36 – Semi-transparent – Granulating
Azure blue is a luminous and soothing shade that evokes the vast summer skies and crystal-clear waters. This pigment, part of the cobalt blue family, is cherished for its subtly green undertone and gentle quality, making it an ideal choice for depicting aerial or marine landscapes.
