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Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Dark and warm brown. Interesting color for dark your shades.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
A very soft, slightly pastel yellow.
Beautiful earthy yellow.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
