Pinkish yellow, very close to Naples yellow.Â
Perfect for skin tones.
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Pinkish yellow, very close to Naples yellow.Â
Perfect for skin tones.
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.Â
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
It's a good glazing colour with a beautifull orangey yellow hue.
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
It's a good glazing colour.
A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
A beautifull and luminous red. More pinkish than the red cadmium light
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
A dark red brown, very beautifull for glazings.
A rich and earthy burnt orange
A rich and earthy burnt orange.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
A reddish brown more Opaque and intense than the burnt umber
A intense cold brown with a violet shade.
A beautifull warm brown with a yellowish undertone
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Very beautiful dark red tending to burgundy.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
This red has a great purity of tone. It draws very slightly on the yellow.
Earthy orange but nevertheless bright.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.