Pinkish yellow, very close to Naples yellow.Â
Perfect for skin tones.
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Pinkish yellow, very close to Naples yellow.Â
Perfect for skin tones.
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.Â
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
It's a good glazing colour with a beautifull orangey yellow hue.
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful earthy green and mono pigment.
Magnificent bright green with an underlying shade of yellow.
Vert Sapin
PG36 + PY165
Singular and grainy green color.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This vivid and strong bluish greens a good staple green to produce a large range of greens.
This earthy green is very Opaque.Â
Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists
It's a deep brownish green.
It's a beautifull green useful in producing glazes when diluted.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.
A reddish brown more Opaque and intense than the burnt umber
A intense cold brown with a violet shade.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
A beautifull warm brown with a yellowish undertone
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.