It's a good glazing colour.
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A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
A deep violet with a touch of red
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.
This violet is the mixture of three pigments to created a unique shade of violet
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
A beautifull an luminous blue.
This blue is a mixture of 3 pigments. Very useful for painting marine
A splendid blue with a rich purple blue undertone.
A deep and intense blue with a touch of red.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Close shade of natural indigo.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Gorgeous unique shade of gray blue.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
A reddish brown more Opaque and intense than the burnt umber
A intense cold brown with a violet shade.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
A beautifull warm brown with a yellowish undertone
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.