Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Glimmer Green – A Sparkling Grayish Green

PB29 + PG7 + PR170 + Perlescent – Transparent – Non-granular

Glimmer Green is a vibrant and luminous hue that captures light through its subtle pearlescent effect. Inspired by the iridescent reflections of nature, this radiant green adds a touch of freshness and dynamism to watercolor compositions.

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Turquoise Green – Aquatic Escape

PG7 + PG15:1 – Transparent – Non-granular

Turquoise Green is a vibrant and luminous hue, evoking crystal-clear waters and exotic landscapes. Its balance between blue and green makes it a perfect pigment for depicting tropical lagoons, vibrant foliage, or dawn skies with subtle nuances.een, this turquoise is nuanced at will with blue or green.

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

Isaro green light – A Touch of Freshness

PG36 + PY35 + PY42 – Semi-transparent – Non-granular

Isaro green light is a bright and radiant hue that evokes the freshness of spring and the softness of young foliage. Its vibrant intensity makes it an ideal pigment to bring liveliness to landscape and floral compositions. 

Phthalo Green – A Versatile Green

PG7 – Transparent – Non-granular

Phthalo Green is an essential pigment in watercolor, valued for its vibrant intensity, transparency, and exceptional staining power. This cool green with subtle bluish undertones offers remarkable depth, making it perfect for capturing the richness of lush foliage, tropical landscapes, and emerald waters.ed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.

Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.

Emerald Green – The Mineral Brilliance

PG18 – Semi-transparent – Granular

Emerald Green is a brilliant and mineral hue, prized for its softness and granulation. Derived from the hydrated chromium oxide pigment, it offers exceptional stability and excellent lightfastness.

Phthalo Blue 

PB15:3 – Transparent

Phthalo blue is an intense, deep, and highly transparent pigment, appreciated for its exceptional tinting strength.

A cool blue with slightly green undertones, it offers excellent lightfastness and blends beautifully with other colors. Ideal for glazing, bright skies, or vibrant shadows, it also produces stunning turquoises (when mixed with phthalo green) or violets (with Isaro pink) depending on the combination. A modern, vivid, and essential color on the oil painter’s palette.

Chrome Oxide Green – A Mineral and Earthy Green

PG17 - Opaque - Non-granulating

Chromium  oxide green is a mineral pigment valued for its stability and subtle tone, making it ideal for landscapes and natural subjects. With a deep, slightly neutral green hue, it fits seamlessly into the palettes of watercolor artists seeking balanced and realistic shades.mono pigment.

Phthalo Green Yellow Shade – A Burst of Freshness

PG36 – Transparent – Non-granulating

Phthalo Green Yellow Shade is a vibrant and luminous hue, perfect for adding freshness and intensity to your compositions. With exceptional transparency and remarkable tinting strength, this pigment offers a wide range of shades, from brilliant greens to more natural tones when mixed.

Cobalt blue

PB28 - Semi opaque

It is the bluest of blues.
Genuine cobalt blue is a classic mineral pigment, known for its vibrant tone, valued for its softness, luminosity, and excellent lightfastness. With its pure blue hue and moderate opacity, it lends itself equally well to subtle mixes and delicate glazing. Ideal for skies, light shadows, and cool skin tones, it creates beautiful soft violets when combined with Isaro Pink or deep pyrrole red. A must-have on the palette for balanced and refined harmonies. bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

Sap Sap Green – A Classic and Natural Green

PG36 + PY139 - Transparent - Non-granulating

This deep yellow-green, with its luminous transparency, is prized for its ability to create subtle botanical shades. Ideal for delicate foliage, moss, and pastoral landscapes, it blends seamlessly into washes and mixes beautifully with other pigments.

Prussian Blue

PB27 – Transparent

Deep, intense, and slightly greenish, Prussian Blue is a historic pigment prized for its exceptional tinting strength and high transparency. It allows the creation of bluish blacks and a sumptuous range of greens. Its transparency makes it an excellent choice for glazing.
This blue is highly siccative and accelerates the drying time of the colors it is mixed with.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

Perylene Green - The Dark Elegance

PBk31 - Transparent - Non-granulating

Perylene green is a unique and versatile pigment that brings rich depth and subtle intensity to watercolor works. Originating from the organic pigment family, this dark, earthy green has an almost black hue with greenish undertones, making it ideal for wooded landscapes, deep shadows, and atmospheric scenes. Thanks to its composition, it offers excellent stability and remarkable permanence.

Deep Blue

PW4 + PB28 + PB15 – Semi-opaque

Deep Blue is a harmonious blend of pigments, designed to capture the beauty of cobalt blue while offering a more accessible alternative.

Combining the softness of PB28 with the depth of PB15 and the brightness of zinc white (PW4), it results in a luminous, well-balanced blue. Ideal for skies and floral compositions, it blends easily to create subtle and refined shades.

The Nordman Green – A Unique Green

PG7 + PV16 - Semi-transparent - Granular

Nordman Green is an excellent choice for painting landscapes, forests, and foliage, adding natural richness and extra dimension to vegetal scenes thanks to the textured nuances it creates. It is also ideal for creating cool shadows and subtle shades in nature works or floral compositions. Its deep and balanced tone makes it particularly suited for winter scenes or muted atmospheres, but it can also be used in mixes to create more vibrant greens.y green color.

Indigo Blue

PBr7 + PB29 + PB15:3 – Semi-opaque

Indigo blue is a deep hue with subtle greenish undertones, created from a blend of burnt umber, ultramarine blue, and phthalo blue. Dark and intense, it evokes stormy seas and dramatic skies. Ideal for seascapes, nocturnal landscapes, or colored shadows, it lends itself to rich and expressive mixtures. Its beautiful depth and semi-transparency make it a versatile, powerful, and evocative blue.

Azure Blue – The Freshness of the Skies

PB36 – Semi-transparent – Granulating

Azure blue is a luminous and soothing shade that evokes the vast summer skies and crystal-clear waters. This pigment, part of the cobalt blue family, is cherished for its subtly green undertone and gentle quality, making it an ideal choice for depicting aerial or marine landscapes.

Ultramarine Blue

PB29 – Semi-opaque

Ultramarine blue is a deep and intense pigment with a slight violet undertone. It is ideal both for glazing and for creating subtle blends.
Its rich chromatic depth makes it an expressive and vibrant blue. When combined with Isaro Pink (PR122), it produces a beautiful range of luminous mauves, perfect for floral compositions.
A must-have on any palette, ultramarine blue combines depth, lightness, and intensity.

Indanthrene blue

PB60 – Transparent

Indanthrene blue is a deep blue with slightly violet undertones.

Highly valued for its dark richness and transparency, it is ideal for glazing, deep shadows, and nocturnal atmospheres. With excellent lightfastness, it blends beautifully with reds to create intense violets, or with greens for subtle cool tones. It is a powerful and essential blue for enriching a contemporary palette. touch of red.

Very bPhthalo Blue - A Luminous Blue

PB15:3 - Transparent - Non-Granulating

Phthalo Blue is particularly prized for seascapes and clear skies, where its transparency and depth truly shine. It can also be used in layering to enrich darkeautiful blue with a shade having an underlying green tone.

With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.

Red Ochre

PR102 – Semi-opaque

Red ochre is a natural, earthy pigment—warm and deep—used since Antiquity. With its nuanced orange-red hue, it brings strength, softness, and warmth to compositions. Covering, lightfast, and non-toxic, it is ideal for landscapes, warm skin tones, or rich backgrounds. It pairs beautifully with other ochres, greens, and blues to create natural, balanced harmonies. A true essential on any classical palette.

Ultramarine Blue - Between History and Modernity

PB29 - Semi-transparent - Granulating

Ultramarine Blue is a deep, rich hue, valued for its intense vibrancy and its ability to capture light, making it ideal for skies, oceans, and delicate shadows.Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example. With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.

Cobalt Blue - An Iconic Blue

PB28 - Semi-transparent - Granulating

Ideal for landscapes, Cobalt Blue excels in skies, calm waters, and distant mountains. Its granulating nature is perfect for textured effects and organic details.e. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

English Red

PR101 – Opaque

English Red is a synthetic iron oxide pigment, deep and warm, with a reddish-brown undertone. Highly opaque, stable, and lightfast, it offers a matte texture ideal for backgrounds, skin tones (when combined with Old Yellow), and warm-toned landscapes. Its earthy richness allows it to blend harmoniously with ochres, greens, or blues, bringing balance and subtlety to compositions.y burnt orange.

Indigo Blue - A Historic Blue

PB29 + PBr7 + PB15 - Opaque - Moderately Granulating

With its granulating texture and natural depth, Indigo Blue is perfect for representing dramatic atmospheres, starry skies, or reflections on water. Its ability to layer in fine washes or be used opaquely makes it a favored choice for artists seeking variety in their compositions.

Prussian Blue - The First Modern Synthetic Pigment

PB27 - Transparent - Non-Granulating

Prussian Blue is an essential hue for watercolor artists. Rich in history, intensity, and versatility, it offers endless creative possibilities, whether for landscapes, portraits, or abstract works.

Indanthrene Blue - Intense Depth

PB60 - Transparent - Non-Granulating

This blue is perfect for artworks requiring dark and powerful tones, such as seascapes, stormy skies, or expressive portraits. It also excels in layering to create depth and subtle effects.

Very beautiful light blue, whiCerulean Blue - The Blue of Skies

PB35 - Semi-transparent - Granulating

Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.

Phthalo Green

PG7 – Transparent

Phthalo green is a powerful, deep, and cool organic pigment with remarkable intensity.

Transparent and highly tinting, it is ideal for glazing, vivid blends, and luminous effects. When combined with phthalo blue (PB15:3), it produces brilliant turquoise tones, perfect for seascapes or exotic compositions. Extremely lightfast and non-toxic, phthalo green is an essential on any modern palette.id and strong bluish greens a good staple green to produce a large range of greens.

Satine Blue - An Original Blend

PB29 + PBr7 + PV16 - Semi-transparent - Granulating

Satine Blue is a refined color that captivates with its softness and subtle glow. Made from carefully selected pigments, this blue harmonizes beautifully with both warm and cool tones. For subtle shades, mix it with Isaro Rose or Magenta to create delicate purples or lavender hues. You can also try combining it with Payne's Grey for nocturnal skies or aquatic shadows.