Orange Tangerine

PO36 – Transparent

Orange Tangerine is a benzimidazolone pigment, an intense, vivid, and luminous synthetic organic pigment. It offers a warm, vibrant hue that sits between pure orange and vermilion red. Its excellent lightfastness and high saturation make it an ideal choice for bold and radiant compositions.

Perfect for evoking autumn foliage, late afternoon light, or luminous highlights within a painting, it blends beautifully with reds, yellows, and certain blues to create rich, nuanced tones.

Its adjustable transparency and strong chromatic intensity make it a favorite among artists seeking a modern, powerful, and non-toxic orange.azingIt is a beautiful orange, useful for glazing.

It gains opacity when mixed with Titanium White. 

Cadmium Orange

PO20 – Opaque

This is a warm, vibrant shade with beautiful tonal purity. Thanks to its rich pigmentation and exceptional brightness, this color brings depth and energy to your palette. Ideal for glazing or flat applications, this orange offers perfect opacity and outstanding long-term stability.

When mixed with titanium white, it reveals soft, warm nuances while maintaining its intensity.  This orange is very bright with a vibrant and very pure undertone.

Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

Phthalo Blue 

PB15:3 – Transparent

Phthalo blue is an intense, deep, and highly transparent pigment, appreciated for its exceptional tinting strength.

A cool blue with slightly green undertones, it offers excellent lightfastness and blends beautifully with other colors. Ideal for glazing, bright skies, or vibrant shadows, it also produces stunning turquoises (when mixed with phthalo green) or violets (with Isaro pink) depending on the combination. A modern, vivid, and essential color on the oil painter’s palette.

Cobalt blue

PB28 - Semi opaque

It is the bluest of blues.
Genuine cobalt blue is a classic mineral pigment, known for its vibrant tone, valued for its softness, luminosity, and excellent lightfastness. With its pure blue hue and moderate opacity, it lends itself equally well to subtle mixes and delicate glazing. Ideal for skies, light shadows, and cool skin tones, it creates beautiful soft violets when combined with Isaro Pink or deep pyrrole red. A must-have on the palette for balanced and refined harmonies. bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

Prussian Blue

PB27 – Transparent

Deep, intense, and slightly greenish, Prussian Blue is a historic pigment prized for its exceptional tinting strength and high transparency. It allows the creation of bluish blacks and a sumptuous range of greens. Its transparency makes it an excellent choice for glazing.
This blue is highly siccative and accelerates the drying time of the colors it is mixed with.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

Deep Blue

PW4 + PB28 + PB15 – Semi-opaque

Deep Blue is a harmonious blend of pigments, designed to capture the beauty of cobalt blue while offering a more accessible alternative.

Combining the softness of PB28 with the depth of PB15 and the brightness of zinc white (PW4), it results in a luminous, well-balanced blue. Ideal for skies and floral compositions, it blends easily to create subtle and refined shades.

Indigo Blue

PBr7 + PB29 + PB15:3 – Semi-opaque

Indigo blue is a deep hue with subtle greenish undertones, created from a blend of burnt umber, ultramarine blue, and phthalo blue. Dark and intense, it evokes stormy seas and dramatic skies. Ideal for seascapes, nocturnal landscapes, or colored shadows, it lends itself to rich and expressive mixtures. Its beautiful depth and semi-transparency make it a versatile, powerful, and evocative blue.

Ultramarine Blue

PB29 – Semi-opaque

Ultramarine blue is a deep and intense pigment with a slight violet undertone. It is ideal both for glazing and for creating subtle blends.
Its rich chromatic depth makes it an expressive and vibrant blue. When combined with Isaro Pink (PR122), it produces a beautiful range of luminous mauves, perfect for floral compositions.
A must-have on any palette, ultramarine blue combines depth, lightness, and intensity.

Azure Blue – The Freshness of the Skies

PB36 – Semi-transparent – Granulating

Azure blue is a luminous and soothing shade that evokes the vast summer skies and crystal-clear waters. This pigment, part of the cobalt blue family, is cherished for its subtly green undertone and gentle quality, making it an ideal choice for depicting aerial or marine landscapes.

Indanthrene blue

PB60 – Transparent

Indanthrene blue is a deep blue with slightly violet undertones.

Highly valued for its dark richness and transparency, it is ideal for glazing, deep shadows, and nocturnal atmospheres. With excellent lightfastness, it blends beautifully with reds to create intense violets, or with greens for subtle cool tones. It is a powerful and essential blue for enriching a contemporary palette. touch of red.

Very bPhthalo Blue - A Luminous Blue

PB15:3 - Transparent - Non-Granulating

Phthalo Blue is particularly prized for seascapes and clear skies, where its transparency and depth truly shine. It can also be used in layering to enrich darkeautiful blue with a shade having an underlying green tone.

With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.

Ultramarine Blue - Between History and Modernity

PB29 - Semi-transparent - Granulating

Ultramarine Blue is a deep, rich hue, valued for its intense vibrancy and its ability to capture light, making it ideal for skies, oceans, and delicate shadows.Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example. With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.

Red Ochre

PR102 – Semi-opaque

Red ochre is a natural, earthy pigment—warm and deep—used since Antiquity. With its nuanced orange-red hue, it brings strength, softness, and warmth to compositions. Covering, lightfast, and non-toxic, it is ideal for landscapes, warm skin tones, or rich backgrounds. It pairs beautifully with other ochres, greens, and blues to create natural, balanced harmonies. A true essential on any classical palette.

Cobalt Blue - An Iconic Blue

PB28 - Semi-transparent - Granulating

Ideal for landscapes, Cobalt Blue excels in skies, calm waters, and distant mountains. Its granulating nature is perfect for textured effects and organic details.e. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

English Red

PR101 – Opaque

English Red is a synthetic iron oxide pigment, deep and warm, with a reddish-brown undertone. Highly opaque, stable, and lightfast, it offers a matte texture ideal for backgrounds, skin tones (when combined with Old Yellow), and warm-toned landscapes. Its earthy richness allows it to blend harmoniously with ochres, greens, or blues, bringing balance and subtlety to compositions.y burnt orange.

Indigo Blue - A Historic Blue

PB29 + PBr7 + PB15 - Opaque - Moderately Granulating

With its granulating texture and natural depth, Indigo Blue is perfect for representing dramatic atmospheres, starry skies, or reflections on water. Its ability to layer in fine washes or be used opaquely makes it a favored choice for artists seeking variety in their compositions.

Prussian Blue - The First Modern Synthetic Pigment

PB27 - Transparent - Non-Granulating

Prussian Blue is an essential hue for watercolor artists. Rich in history, intensity, and versatility, it offers endless creative possibilities, whether for landscapes, portraits, or abstract works.

Indanthrene Blue - Intense Depth

PB60 - Transparent - Non-Granulating

This blue is perfect for artworks requiring dark and powerful tones, such as seascapes, stormy skies, or expressive portraits. It also excels in layering to create depth and subtle effects.

Very beautiful light blue, whiCerulean Blue - The Blue of Skies

PB35 - Semi-transparent - Granulating

Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.

Satine Blue - An Original Blend

PB29 + PBr7 + PV16 - Semi-transparent - Granulating

Satine Blue is a refined color that captivates with its softness and subtle glow. Made from carefully selected pigments, this blue harmonizes beautifully with both warm and cool tones. For subtle shades, mix it with Isaro Rose or Magenta to create delicate purples or lavender hues. You can also try combining it with Payne's Grey for nocturnal skies or aquatic shadows.

Transparent Mars Red

PR101 – Transparent

Transparent Mars Red is a synthetic iron oxide with a warm, intense, and deep red-brown hue.
Its transparency makes it ideal for glazing, colored shadows, rich skin tones, or vibrant backgrounds.
Highly lightfast, non-toxic, and with strong tinting strength, it allows for nuanced layering and subtle blends with blues, greens, or ochres.
A versatile color, it is prized by artists seeking warmth and transparency without overwhelming opacity.

Transparent Mars Red - A Rust Effect

PR101 - Transparent - Non-granulating

Transparent Mars Red is a rich, earthy red, ideal for uniform, warm, and deep washes, while ensuring excellent permanence and great light stability.

Cadmium red deep - An Intense Bordeaux

PR108 - Opaque - Non-granulating

Cadmium red deep in watercolor is a powerful and versatile color, perfect for works requiring intense and durable reds. It shines both in mixes and when used on its own.l dark red tending to burgundy.

Pyrrole red deep - A Deep Red

PR264 - Transparent - Non-granulating

Dark Pyrrole Red in watercolor is an intense and vibrant hue, offering excellent transparency and high lightfastness, perfect for creating vibrant mixes and warm tones.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

Isaro Pyrrole Red - A Poppy Red

PR254 - Transparent - Non-granulating

Isaro Pyrrole Red is a vivid and intense red, offering brilliant luminosity and excellent permanence, perfect for vibrant touches and rich mixes in watercolor.l red, lively and bright with an underlying note colder than Scarlett red.

Scarlet Red – An Essential Red

PR255 - Transparent - Non-granulating

Scarlet Red is a vibrant and intense hue, characterized by its richness in reddish and slightly orange tones, perfect for adding warmth and brightness to your watercolor compositions.

Cadmium Red - An Opaque Red

PR108 - Opaque - Non-granulating

Cadmium Red Light offers a vibrant and luminous hue, perfect for adding warm and vibrant touches to your artwork, while ensuring exceptional permanence and lightfastness.has a great purity of tone. It draws very slightly on the yellow.

Iron Oxide Orange – A Warm Hue

PR101 - Opaque - Non-granulating

Iron oxide orange is a warm, earthy pigment, providing an intense and vibrant hue, perfect for landscapes, portraits, and subtle mixes, all while ensuring excellent permanence.

Isaro Orange - A Unique Hue

PO61 + PR206 + PBr23 - Transparent - Non-granulating

Made from a blend of multiple pigments, this intense orange is perfect for capturing the warmth of autumn landscapes, sunsets, or flowers. Isaro Orange is transparent, allowing for beautiful fluidity and a sense of lightness, while remaining stable and lightfast.

Cadmium Orange - A Pure Orange

PO20 - Opaque - Non-granulating

Cadmium Orange is a vivid and intense hue, offering brilliant luminosity and exceptional permanence, perfect for vibrant mixes and bright highlights in your artwork. orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.