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A very discreet and interesting pink especially to bring softness to certain floral compositions.
Rose navré et légèrement orange
It's a good glazing colour.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Rose légèrement nacréÂ
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.Â
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful earthy green and mono pigment.
Magnificent bright green with an underlying shade of yellow.
A beautifull an luminous blue.
This blue is a mixture of 3 pigments. Very useful for painting marine
Vert Sapin
PG36 + PY165
A splendid blue with a rich purple blue undertone.
A deep and intense blue with a touch of red.
Singular and grainy green color.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).