This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
Active filters
- Mono-pigmented:: Yes
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.
A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".
So this blue is very usefull to paint lanscape.
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.Â
This earthy green is very Opaque.Â
Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists
It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
It's a good glazing colour.
A deep and intense blue with a touch of red.
A beautifull and luminous red. More pinkish than the red cadmium light
A deep violet with a touch of red
A dark red brown, very beautifull for glazings.
It's a strong neutral black.
It's a very pure cool soft white. It's highly regarded by artists.
This vivid and strong bluish greens a good staple green to produce a large range of greens.
It's a cool transparency withe. It's excellent for mixtures and glazes
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.Â
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
Golden color, to be used for certain highlights.
It's a basic earthy yellow, ideal for glazes but covers well.
A splendid blue with a rich purple blue undertone.
A rich and earthy burnt orange.
A reddish brown more Opaque and intense than the burnt umber
A intense cold brown with a violet shade.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
A rich and earthy burnt orange