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This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
A dark red brown, very beautifull for glazings.
A beautifull and luminous red. More pinkish than the red cadmium light
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.Â
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Rose légèrement nacréÂ
Rose navré et légèrement orange
A rich and earthy burnt orange.
A beautifull warm brown with a yellowish undertone
A rich and earthy burnt orange
A reddish brown more Opaque and intense than the burnt umber
A intense cold brown with a violet shade.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
