This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
Active filters
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.
This earthy green is very Opaque.Â
Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
A dark red brown, very beautifull for glazings.
A beautifull and luminous red. More pinkish than the red cadmium light
This vivid and strong bluish greens a good staple green to produce a large range of greens.
It's a deep brownish green.
It's a beautifull green useful in producing glazes when diluted.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
A beautifull warm brown with a yellowish undertone
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
A reddish brown more Opaque and intense than the burnt umber
A rich and earthy burnt orange.
A intense cold brown with a violet shade.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
A rich and earthy burnt orange
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful dark red tending to burgundy.
Singular and grainy green color.
This red has a great purity of tone. It draws very slightly on the yellow.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Magnificent bright green with an underlying shade of yellow.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Vert Sapin
PG36 + PY165
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.