Active filters
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
A dark red brown, very beautifull for glazings.
A beautifull and luminous red. More pinkish than the red cadmium light
A deep and intense blue with a touch of red.
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
A beautifull an luminous blue.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Turquoise légèrement irisé
Golden color, to be used for certain highlights.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
A rich and earthy burnt orange.
This blue is a mixture of 3 pigments. Very useful for painting marine
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
A rich and earthy burnt orange
A splendid blue with a rich purple blue undertone.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Gorgeous unique shade of gray blue.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Very beautiful dark red tending to burgundy.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
This red has a great purity of tone. It draws very slightly on the yellow.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
