Very beautiful brick red, with an underlying shade of orange-yellow.
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Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Rose navré et légèrement orange
Rose légèrement nacréÂ
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.
A rich and earthy burnt orange.
A rich and earthy burnt orange
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.Â
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
A dark red brown, very beautifull for glazings.
A beautifull and luminous red. More pinkish than the red cadmium light
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone