It's a cool transparency withe. It's excellent for mixtures and glazes
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It's a basic earthy yellow, ideal for glazes but covers well.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
A intense cold brown with a violet shade.
A splendid blue with a rich purple blue undertone.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Turquoise légèrement irisé
It's a very pure cool soft white. It's highly regarded by artists.
Very interesting Color to create "pastel" touch by mixing with other colors.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
Gorgeous unique shade of gray blue.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
A beautifull warm brown with a yellowish undertone
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Vert Sapin
PG36 + PY165
It's a beautifull green useful in producing glazes when diluted.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
A beautifull and luminous red. More pinkish than the red cadmium light
A rich and earthy burnt orange
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
Beautiful earthy yellow.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.