Very beautiful yellow, earthy and bright. Very useful on the palette.
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Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
A intense cold brown with a violet shade.
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
A beautifull warm brown with a yellowish undertone
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
A beautifull and luminous red. More pinkish than the red cadmium light
A rich and earthy burnt orange
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
A dark red brown, very beautifull for glazings.
A very soft, slightly pastel yellow.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
A reddish brown more Opaque and intense than the burnt umber
It's a good glazing colour with a beautifull orangey yellow hue.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Warm and bright yellow, very beautiful in wash for example.
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
A rich and earthy burnt orange.
Very beautiful brick red, with an underlying shade of orange-yellow.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Bright yellow with great purity of tone.
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.Â
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.