Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
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Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Turquoise légèrement irisé
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
It's a beautifull green useful in producing glazes when diluted.
Vert Sapin
PG36 + PY165
A beautifull and luminous red. More pinkish than the red cadmium light
A rich and earthy burnt orange
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Magnificent bright green with an underlying shade of yellow.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
This vivid and strong bluish greens a good staple green to produce a large range of greens.
A dark red brown, very beautifull for glazings.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Singular and grainy green color.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
It's a deep brownish green.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Golden color, to be used for certain highlights.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
A rich and earthy burnt orange.
Very beautiful brick red, with an underlying shade of orange-yellow.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
This earthy green is very Opaque.Â
Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists