Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
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A splendid blue with a rich purple blue undertone.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
Gorgeous unique shade of gray blue.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
A beautifull and luminous red. More pinkish than the red cadmium light
A rich and earthy burnt orange
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
A dark red brown, very beautifull for glazings.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
This blue is a mixture of 3 pigments. Very useful for painting marine
Close shade of natural indigo.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
A deep and intense blue with a touch of red.
A rich and earthy burnt orange.
Very beautiful brick red, with an underlying shade of orange-yellow.
A beautifull an luminous blue.
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
This red has a great purity of tone. It draws very slightly on the yellow.
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
Very beautiful dark red tending to burgundy.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.