A splendid blue with a rich purple blue undertone.
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Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Gorgeous unique shade of gray blue.
It's a beautifull green useful in producing glazes when diluted.
Vert Sapin
PG36 + PY165
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Magnificent bright green with an underlying shade of yellow.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
This vivid and strong bluish greens a good staple green to produce a large range of greens.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Singular and grainy green color.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
It's a deep brownish green.
This blue is a mixture of 3 pigments. Very useful for painting marine
Close shade of natural indigo.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
A deep and intense blue with a touch of red.
This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
A beautifull an luminous blue.
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
This earthy green is very Opaque.Â
Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists
Very beautiful earthy green and mono pigment.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.