Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
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A intense cold brown with a violet shade.
A splendid blue with a rich purple blue undertone.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Gorgeous unique shade of gray blue.
A beautifull warm brown with a yellowish undertone
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
This natural iron oxide is a fine rather cold brown with a greenish undertone.
This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
A reddish brown more Opaque and intense than the burnt umber
Close shade of natural indigo.
This blue is a mixture of 3 pigments. Very useful for painting marine
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
A deep and intense blue with a touch of red.
A beautifull an luminous blue.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Dark and warm brown. Interesting color for dark your shades.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.