Earthy orange but nevertheless bright.

It's a good glazing colour.

A very soft, slightly pastel yellow.

Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.

Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.

A reddish brown more Opaque and intense than the burnt umber

It's a strong neutral black.

This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.

A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.

Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet.  So Isaro pink is perfect to paint flowers. It's also a good glazing colour. 

Very beautiful red, lively and bright with an underlying note colder than Scarlett red.

Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.

Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.

With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.

In my opinion, it is one of the very useful colors on a palette.

A deep violet with a touch of red

Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.

Close shade of natural indigo.

It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.

A deep and intense blue with a touch of red.

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Golden color, to be used for certain highlights.

Very beautiful brick red, with an underlying shade of orange-yellow.

A rich and earthy burnt orange.

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

Very beautiful earthy green and mono pigment.

A very essential greenish yellow. It allows a wide range of rich and surprising mixes.

This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".

So this blue is very usefull to paint lanscape.

Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.

A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds