Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Dark and warm brown. Interesting color for dark your shades.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.

Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.

Very beautiful dark red tending to burgundy.

This pure and luminous bright red has a high tint power.
Cadmium red is obtained  by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with  organic reds.

This red has a great purity of tone. It draws very slightly on the yellow.

The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone

This is  a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium,  bright, very luminous and  an ultra-pure colour.

Magnificent yellow-orange very bright and a beautiful purity of tone.

Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.

This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Magnificent pale yellow with underlying shade of green, very bright and bright yellow.

A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds

Bright yellow with great purity of tone.

This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".

So this blue is very usefull to paint lanscape.

Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.

A very essential greenish yellow. It allows a wide range of rich and surprising mixes.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

Very beautiful earthy green and mono pigment.

Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.

Very beautiful brick red, with an underlying shade of orange-yellow.

A rich and earthy burnt orange.

Golden color, to be used for certain highlights.

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

A deep and intense blue with a touch of red.

It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.

Close shade of natural indigo.