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Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Pinkish yellow, very close to Naples yellow.Â
Perfect for skin tones.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.Â
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
Bright yellow with great purity of tone.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
A beautifull an luminous blue.
A rich and earthy burnt orange.
Very beautiful brick red, with an underlying shade of orange-yellow.
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
A deep and intense blue with a touch of red.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Warm and bright yellow, very beautiful in wash for example.
Close shade of natural indigo.
This blue is a mixture of 3 pigments. Very useful for painting marine
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
You can add light Isaro yellow to a range of Indian yellow.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
It's a good glazing colour with a beautifull orangey yellow hue.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
A very soft, slightly pastel yellow.