This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Plastic bucket to fill with your watercolors in tubes.
Size: 3x 1.8x 1cm
Sold by 10, 25, 50
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
Beautiful subtle very light gray for light shadows and drapes.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
Very interesting Color to create "pastel" touch by mixing with other colors.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Magnificent bright green with an underlying shade of yellow.
Golden color, to be used for certain highlights.
Very beautiful brick red, with an underlying shade of orange-yellow.
Vert Sapin
PG36 + PY165
Turquoise légèrement irisé
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Assortment "Mastering Color Mixing with Watercolors" 2
Second assortment related to the book I wrote with Fabien Petillion: "Mastering Color Mixing with Watercolors" (Rocky Nook - ISBN: 9781681987811).
This set uses the colors that the artists, who collaborated with the book, add to their palette to afford more artistic freedom.
Colors of this set:
Indigo blue
Isaro mauve
Van Dyck brown
Lamp black
Olive green
Isaro orange
Payne's grey
Isaro grey light
Burnt Sienna
Burnt Umber
Natural Sienna
