Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Rose légèrement nacréÂ
Rose navré et légèrement orange
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
Very beautiful dark red tending to burgundy.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright yellow with great purity of tone.
This red has a great purity of tone. It draws very slightly on the yellow.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Gorgeous unique shade of gray blue.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Singular and grainy green color.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
You can add light Isaro yellow to a range of Indian yellow.
Warm and bright yellow, very beautiful in wash for example.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.