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Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Warm and bright yellow, very beautiful in wash for example.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Magnificent bright green with an underlying shade of yellow.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful dark red tending to burgundy.
Bright yellow with great purity of tone.
This red has a great purity of tone. It draws very slightly on the yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Singular and grainy green color.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Gorgeous unique shade of gray blue.
Golden color, to be used for certain highlights.