Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Active filters
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful earthy green and mono pigment.
Close shade of natural indigo.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.