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A very discreet and interesting pink especially to bring softness to certain floral compositions.
Rose navré et légèrement orange
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Rose légèrement nacréÂ
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful earthy green and mono pigment.
Magnificent bright green with an underlying shade of yellow.
Vert Sapin
PG36 + PY165
Singular and grainy green color.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
Beautiful subtle very light gray for light shadows and drapes.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
Very beautiful dark red tending to burgundy.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
This red has a great purity of tone. It draws very slightly on the yellow.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Very beautiful brick red, with an underlying shade of orange-yellow.
Dark and warm brown. Interesting color for dark your shades.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.