A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
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Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Singular and grainy green color.
Dark and warm brown. Interesting color for dark your shades.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
Very beautiful earthy green and mono pigment.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Magnificent bright green with an underlying shade of yellow.
Golden color, to be used for certain highlights.
Vert Sapin
PG36 + PY165
Turquoise légèrement irisé
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
You can add light Isaro yellow to a range of Indian yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright yellow with great purity of tone.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.