A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
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Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Dark and warm brown. Interesting color for dark your shades.
Singular and grainy green color.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Very beautiful earthy green and mono pigment.
Dark brown tending to mauve. It can also be easily obtained on the palette by mixing smoke black with mauve iron oxide. To work on its shade, you can add mauve iron oxide to it. By combining it with yellow ocher or natural Siena earth you get sepia brown.
Beautiful subtle very light gray for light shadows and drapes.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Very beautiful brown with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Magnificent bright green with an underlying shade of yellow.
Vert Sapin
PG36 + PY165
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
You can add light Isaro yellow to a range of Indian yellow.
Bright yellow with great purity of tone.
Warm and bright yellow, very beautiful in wash for example.
Earthy orange but nevertheless bright.
A very soft, slightly pastel yellow.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.