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I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
Golden color, to be used for certain highlights.
Rose nacré clair.
Un rose très clair et légèrement nacré
Rose légèrement nacréÂ
Rose navré et légèrement orange
Turquoise légèrement irisé
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Singular and grainy green color.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
You can add light Isaro yellow to a range of Indian yellow.
This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.
I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Warm and bright yellow, very beautiful in wash for example.
