It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
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The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Bright yellow with great purity of tone.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Gorgeous unique shade of gray blue.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
A very soft, slightly pastel yellow.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
Very beautiful earthy green and mono pigment.
Close shade of natural indigo.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Very beautiful yellow, earthy and bright. Very useful on the palette.