Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
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Gorgeous unique shade of gray blue.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Your dark purple tending to brown. Pure it is of an interesting tone. It also comes in composite colors like sepia brown or Van Dijck brown.
Very beautiful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.
Close shade of natural indigo.
Earthy orange but nevertheless bright.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Beautiful subtle very light gray for light shadows and drapes.
Very nice cold, deep gray, turning blue. Useful as a contrast color.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.