I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Active filters
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Bright yellow with great purity of tone.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
You can add light Isaro yellow to a range of Indian yellow.
Magnificent bright green with an underlying shade of yellow.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Warm and bright yellow, very beautiful in wash for example.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Vert Sapin
PG36 + PY165
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Very beautiful earthy green and mono pigment.
A very soft, slightly pastel yellow.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Close shade of natural indigo.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.