Active filters
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Bright yellow with great purity of tone.
Warm and bright yellow, very beautiful in wash for example.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
A very soft, slightly pastel yellow.
Close shade of natural indigo.
Very beautiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
Very beautiful brick red, with an underlying shade of orange-yellow.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Very beautiful brown, slightly red. For watercolorists looking for uniform washes, March Brown may be preferred over natural soils.
