This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
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The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Rose légèrement nacréÂ
Rose navré et légèrement orange
Turquoise légèrement irisé
Golden color, to be used for certain highlights.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Gorgeous unique shade of gray blue.
Very beautiful dark red tending to burgundy.
This red has a great purity of tone. It draws very slightly on the yellow.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.
Dark and warm brown. Interesting color for dark your shades.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.