This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
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It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
Golden color, to be used for certain highlights.
Turquoise légèrement irisé
Bright yellow with great purity of tone.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Singular and grainy green color.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
You can add light Isaro yellow to a range of Indian yellow.
Magnificent bright green with an underlying shade of yellow.
Warm and bright yellow, very beautiful in wash for example.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
Vert Sapin
PG36 + PY165
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
A very soft, slightly pastel yellow.
Very beautiful earthy green and mono pigment.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
This black can be useful for certain mixtures. For example, by combining it with ultramarine blue to obtain Payne gray or mauve iron oxide or Venice red to obtain Van Dijck brown, if we add a little ocher we obtain the sepia color.
Very interesting Color to create "pastel" touch by mixing with other colors.
Very beautiful yellow, earthy and bright. Very useful on the palette.