I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
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I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
The flagship color in metallic colors. Very appreciated by watercolorists looking for fantasy.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Turquoise légèrement irisé
Golden color, to be used for certain highlights.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Very beautiful dark red tending to burgundy.
Gorgeous unique shade of gray blue.
Singular and grainy green color.
This red has a great purity of tone. It draws very slightly on the yellow.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent bright green with an underlying shade of yellow.
Vert Sapin
PG36 + PY165
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.