Very beautiful yellow, earthy and bright. Very useful on the palette.
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Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
Green useful for landscapes in particular. Maybe nuanced with phthalo green or yellows.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
A very soft, slightly pastel yellow.
Vert Sapin
PG36 + PY165
Very beautiful light mauve mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.
This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.
Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Dark mauve which can be lightened with Isaro pink and nuanced with overseas blue for example.
Warm and bright yellow, very beautiful in wash for example.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
You can add light Isaro yellow to a range of Indian yellow.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
Magnificent bright green with an underlying shade of yellow.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
This red is part of the range of metallic colors. Like all the metallic colors that I have created, its nuance is singular.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
Turquoise légèrement irisé
Golden color, to be used for certain highlights.
Ametrine is a quartz born from the union of citrine and amethyst which gives it very interesting reflections. I was inspired by the color of this mineral to create this purple which joins "other colors of the 2022 "Happy Precious Year" collection.
This color is grainy and iridescent.
It is a metallic color. This tone is singular, with a mauve shade dotted with copper highlights.
This color is one of the metallic colors that I created to give a little fantasy to the palette of artists who want it.
The base of this color is a silver gray.
The addition of a silver pearlescent pigment strengthens the silvery note of the shade and brings to mind a pewter gray.
The base of this color is a very soft blue. Diluted well, this color gives a bluish white ideal for painting snow for example.