Very beautiful yellow, earthy and bright. Very useful on the palette.
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Very nice cold, deep gray, turning blue. Useful as a contrast color.
Close shade of natural indigo.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Beautiful subtle very light gray for light shadows and drapes.
A very soft, slightly pastel yellow.
Gorgeous unique shade of gray blue.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Bright yellow with great purity of tone.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.